The painting is organised as a series of interlocking planes, each saturated with a flat, declarative colour. Electric blue fills the outer thirds of the canvas in vertical bands, separated by narrow stripes of black and white that recall the panels of a fairground facade. Between them, a paler blue-grey wall recedes toward a framed landscape at the centre: a hill in deep green and pink, with two stylised red-outlined trees rising from it against a teal sky, their forms skeletal and decorative s
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