The awning dominates first. Its striped canopy — white and silver, raking diagonally across the upper third of the canvas — is the structural fact around which the rest of the painting organises itself, a shelter that both frames and divides the view. Beneath it, the front yard of BozoMag gallery in Highland Park, Los Angeles opens in all directions: terracotta pots clustered on a worn timber deck, succulents and cacti ranged along a stone patio, tall palms rising through the middle
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